13 posts tagged “image”
This is a nice little story that reminded me of some superhero comics taking place during the WWII. In particular Captain America, The Golden Age and others. However this story is told with a more realistic twist, where governments don't just accept super powered people with having some kind of control over them.
Each of the characters here probably have a corresponding superhero from Marvel or DC, but they are not a real team, they are just a bunch of people pulled together by the government.
It's fun to discover what their real purpose is, maybe even shocking to some. But I really like the more mature tone of this story, which is greatly enhanced by the excellent art by Jeremy Haun. His style is perfectly suited for this tale, a realistic style for a realistic superhero story.
This is a quick read with a star middle and end. It's well worth the price of admission.
The tension in this book runs high since the first few pages. We wonder who did this, but as we read on we start to wonder "what" did this, and how and why. What the hell is going on here?
I really like the art here. Oeming's "camera" work is incredibly fluid, it works perfectly on creating tension in quiet scenes as well as action scenes. The colors are also fundamental to create the right dark and moody atmosphere that this type of story needs.
The end was satisfying, although it felt just a little bit anti-climatic after all the tension created beforehand. This is a nice little dark crime story with a supernatural twist, easy to read but at the same time mature and dark.
We see Scarab at the time of Metamorphosis, while inside the Control Corps trying to get to Kabuki. We see her a few days before that, spending time with Tiger Lily. We see her first assignment as Scarab. And we see her before she became Scarab, her life as Keiko with her friend Seiko and especially when she met Yukio.
This last part of her life really reminded me of True Romance, which I watched just recently. As that movie, this story is about their love at first sight, and their problems with drug related crimes.
We also see how she eventually becomes an agent, but best of all we see her last mission. And what a twist!! It tells the events in Metamorphosis from Scarab's point of view, and even if you read Metamorphosis already, it still contains a few surprises. It not only answers a question from Metamorphosis, it also poses a question answered in Metamorphosis.
I really love this story, it has a finality to its main story that was very very surprising. The emotions are also very high thoughtout the course of the whole series. Again, it really reminded me of True Romance. I wonder if Mack was inspired by it.
The art is by Rick Mays, and I couldn't be happier. He has a very clear style, which reminds a little bit of a classic manga style (in fact he imitated that style in the Kabuki cartoon sequences). His storytelling skills are also excellent, his action scenes flow very easily. One thing that bugs me a little is that his faces are all the same. I could hardly distinguish Tiger Lily from Scarab without their masks. But it doesn't bother me too much.
Even thogh it doesn't star Kabuki and it's not drawn by Mack, this volume is one of my favorites of the series. I can't wait for future stories starring the other Noh agents.
Metamorphosis is a continuation of both the story and the art development from Skin Deep. Skin Deep was shorter and more focused on one theme, Kabuki's imprisonment and Akemi's notes. Vol 5 is much broader, in length, in themes, in art styles.
The overall story sees Kabuki's attempts to escape with the help of Akemi. Towards the end of the book the Noh enter the facility, as we saw at the beginning of Skin Deep, and we finally learn Kabuki's fate.
Underneath this plot, Mack inserts many themes: most prominent are the sessions with the psychiatrist, who tries to get inside Kabuki's head. At first she manages to get her attention, and it almost seems like Kabuki might give in to her. However Akemi's arrival changes things, and her own story with her psychiatrist seems to inspire Kabuki and change her strategy with her doc. The way Akemi manages to overcome her doc was awesome, playing the doc's own tricks and making her an inmate. Just great!
Kabuki's character is a veiled version of Mack's persona, and to me the closest similarity is their level of understanding of the 6-7 area of knowledge: math, physics, psychology etc... (don't have the book in front of me now). Both Kabuki and Mack are prolific in these disparate areas: the doc explains that Kabuki's mind works like that. Mack also shows his many interests in the course of this book, explaining physics theories, or math equations, or many other topics. These are not necessary for the understanding of the plot, in fact they can be skipped altogether. However they are interesting, and they do explain the motivations of the characters.
Mack's art style is also very disparate, and he tries many neat experiments in this book. How can I not mention the double page fight between Akemi and Siamese, designed as a board game where each step sees a development of the fight ("Akemi kicks Siamese down, go 2 forward"). He also mixes color with black & white panels, his figures vary from expressionistic to photo realistic.
Don't be alarmed though, if you think this stuff seems too brainy or not for you, you also get the espionage/crime story, and what a great story. You'll get to the end of the book and wonder: who was that? What is going to happen now? What is she gonna do?
All these questions will be answered in future volumes.
As I was saying, as soon as I finish reading a Kabuki volume I am compelled to pick up the next one and at least flip through it if not start reading at once. So here I am, with the next volume in my reviews of Kabuki.
Skin Deep is a short volume, but this is where Mack's painted creativity really shines. We saw colors in vol 2, but there were more of a tease. This is the real thing.
Mack uses various drawing techniques, from painted to black and white to collage etc... Each technique is perfectly chosen to suit the story, this is not just random crazyness (although some say David Mack IS crazy, a crazy genius).
The story takes place in a place similar to a mental institute, where all inmates are secret government agents turned rogue. Control Corps is another secret agency whose purpose is to rehabilitate these rogue agents and reprogram them for new assignments.
Kabuki is here after what she did to the Noh, but it doesn't really matter. You don't need to know what happened before, this story takes place in a prison, and tells the hardships Kabuki goes through in her solitary cell. Someone is slipping secret messages written on toilet paper, she claims to be called Akemi, another inmate. But is she real?
We are immersed into Kabuki's mind, and can almost feel what she feels. This story is an intimate character study, and the art and words really help with the "full immersion".
Since Mack draws everything you see on the page, including colors and letters, he can fully integrate captions and ballons into his images. Some of his letters are free flowing on the page, going around the page in circles or strange lines. This just makes it even more appealing to me.
I think this volime is the best one if you just want to try out Kabuki. It is short, you don't need to know what happened before, and it shows David's fully developed art. Give this one a try if you are on the fence.
This third volume of Kabuki is a little different in that David Mack only drew parts of it, and it doesn't star Kabuki. It instead features the other Noh agents colleagues of Kabuki.
The story is still a continuation of the overall arc: the Noh agents are trying to track down Kabuki after she disappeared at the end of Circle of Blood. Each agent is sent to find clues, and little by little they piece the puzzle together.
Each agent's story is drawn by a different artist, and they all look very good. My favorite is Rick Mays who draws Tiger Lily and Scarab's stories. These two characters are also the most developed, and we see part of their past lives and their current private lives.
We are hinted at the other agents past, but for the most part we just see them kick ass in great action scenes. Mack has a history for each of them, and one day he will publish all their stories in their own series. Scarab's series is already out, but I will get to that in the next few weeks.
The art collaboration is incredible, especially once you know that Mack and his friends drew this volume while they were on convention tours, in hotel rooms or on buses, and their collaboration process is unique: one could draw the layouts, one could draw one panel, one the others, one would ink this panel and the next... just a true collaboration.
This could be seen as a bridge between Circle of Blood and Skin Deep, the next volume of Kabuki, but it is also a great way to tease us for the Agents of the Noh series in the future.
This volume reprints the two Kabuki color specials. This is the first time we see David Mack's color work, and it's clear that Mack is an illustrator in his heart. Each page is a beautiful painting, full of emotions. The first story is basically a retelling of the last few pages of Circle of Blood, with more point of view from Kabuki's mind.
The second story tells us what Kabuki is feeling soon after vol 1, all her emotions, what her subconcious feels, and even her link to her mother's spirit. This is my favorite story, it is the true companion epilogue to Circle of Blood, really completing Kabuki's story and bringing her back to the beginning, when she died the first time.
This is really a poetic story, and the images are a perfect complement for this amazing journey of Kabuki's soul. Even though this is just a tease for Mack's fully developed art, it is already astonishing to the eye.
At first I planned to re-read a volume every few days or weeks, but after finishing each volume I can't help getting the next one and read it. This is just a great comic.
The first volume is in black and white, and it tells the beginning of Kabuki's tale. Kabuki is an agent of the Noh, a secret agency of the Japanese government whose job is to keep the balance between the criminal organizations and politicians. We are introduced to her current job and her history, in particular her spiritual relationship with her mother and her father.We go through flashbacks of her childhood, her training to become a Noh.
But there is also the epionage/crime story involving the General, his son Kai and Dove. All three are trying to eliminate each other in order to dominate the Japanese government. All three are also connected to Kabuki personally, and we find out how.
Mack's art is very well thought out, each page could be a single piece of art, but it is also part of the storytelling. It is not his fully developed illustration/collage etc.. style, but it fits the story at hand.
What I love about this book is that there are so many levels to the story, it is impossible to get it all in just one reading. There are many metaphores, and many hidden meaning behind those words and images. The afterword does an excellent job at trying to tackle a small fraction of these, but there are so many others that I haven't even a clue about at the moment, and I've read this many times already.
On the other hand, the straght forward story is as compelling as its metaphores, so even if you don't get all the references or clues, this is still a great story. A very personal story, with plenty of action and intrigue. This book has it all, I truly believe anyone would get something out of it. If you are a comic fan, you have to get this. If you are not a comic fan, you have to get this!!
This is a mix various genre/pop culture coming together to form a fresh and inventive world of its own. You have the detective story, the Hawaii of the 50's, voodoo influence (zombie) and who knows what.
Moore starts with a typical detective/crime setup, which turns out to be something supernatural. The star of this story (Byrd) has a hidden past, which is slowly revealed in this story, but there is enough material for the sequel mini-series.
The art is amazing. Steven Griffin is on art duty, including colors. And what an incredible feel it has. I am no expert on art technique, but I just love his brush feel.
A great little series that I will surely come back to.
I finally managed to read the origin issue of Savage Dragon. This was first published in Image Comics 10th Anniversary HC, which was delayed for years. This story has now been republished as a single issue, and promises the secret origin of the Savage Dragon.
Being a Dragon fan, I loved this story. It does exactly what it promises: telling us where Dragon came from, who he was and how he got in the middle of fire in issue #1, without memories.
His personality is completely different than the one we know, which plays perfectly to our expectations. There are many nice plot points that explain events in the Dragon series, for example the questions "why did Dragon become fertile again?", "what happened to his memory?" and many others were answered here.
The art is solid we usual, I like Erik Larsen's art, and as many Dragon stories, this issue contains many gruesome scenes, although they were drawn in a subtle way.
I am not sure someone who is unfamiliar with Dragon would be able to enjoy this issue as much as Dragon fans, but I am completely satisfied with this issue. We've been teased for years about this origin story, and now we have it. Thank you Erik.
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